—
"proves that signals from the most stygian atmospheres are possible after all"
—

hourly Event 
—

A delicate noise, a breathing, like a mountain passage looped through a thousand delay pedals with the bass removed, flutters. Cables hook around the rocks, insulation chewed & partially rotten, copper strands oxidising on contact with the salt in the air. A pub once leant against the slope, not that you’d expect it from these remains. Among the ruins, her faded photograph clings to a baroque frame : Miss Ethel Matthews had some time in Paris, coyly granting interviews in hotel lifts while shopping. A delicate bass note vibrating from a helicopter overhead : Ten thousand frequencies beyond hearing, droning in sympathetic resonance, travel for a second along your jaw. A glass, distressed & cracked, scatters its splinters. The ocean’s crawl, long departed, gradually prepares the ground, to come again. Ethel was much loved in her day, & admired. Chickweed surges among & between discarded brass fittings on the grass. You find such interpolations despicable    

 

first published in Perverse #8L, 2024

Insight event

(an inscription)

 

a white wind 

                           whirlwind

                                                an annihilation

                           a scorching                                  violent tearing     

 

dust devils through

                           seconds appearing                           

clearing a path                                                       a sunlight calm 

 

       & clear projected

                                            rippled peaks refracting 

 

                      against a flatness

 

                                                                    framed &   coalescing 

   syllables fixed

                                              body beyond

                                    

a vacillation   

                                    & a     

past articulation

 

                                                                                   a lapsing               

Whitechapel Event 
—

what was once a battlefield has

become a peaceful public park

on a pleasant Sunday afternoon

 

& Saturday we walked to Victoria Park & tried to fly 

our kites 

part-shaded from the heat east of the fountain & south

of the lake there wasn’t much 

wind to speak of so we wound back 

circling up 

to Gosset Street but 

tastes change & no-one cares for that farshlaft clerk

Kafka any more least of all me not

when the gayst of Groucho Marx whistles through Lexington falling

down to 8th Street trailing 

the Upper East Side in its tails never still always

wandering waving unlit cigars at Litvaks 

& cabbage head syntax :

a cold & ill-

fitting room should 

never be suffered without a shawl without

the katan of a brother like Harpo 

who speaks

how we imagine angels do with mouth-sewn liberation with

the joy 

of tangerines the tears the joy

of cakelight flowing into eight-year olds bursting expectant

wonder-eyed impatient launched 

at the table struggling for the first 

tongueful unfamiliar

forbidden by Shas before we wake holding

not hand-knotted fringes but kite-rope 

dragging loosened soles out the door 

pig bone buried in flesh treyf the pink silhouette 

of a kite-line hooked & frayed

across a pale [Bessarabian]

burnt hillside 

 

first published in "Closed Gates or Open Arms", ed. Joelle Taylor, Verve Poetry Press, 2019 

Changeling Verse Carved in a Tree
—

were the bedclothes lined with silt when 

mother dug you like crop from the shore 

 

did she trace the 

line of your sickness, was it 

so far you had to crawl, did she kiss 

prayers into damp linen, did she kneel 

 

to a cross, brush 

moist scrag from your hair, did

 

the neighbours wake to

drowned chickens, did their scissors

steal your voice in the woods, did you slip 

free the dark naked ache of childhood, is this why

 

we forget 

all those bones we boiled for your name

 

 

first published in Magma #73, "The Changeling" 

ed. Richard Scott & Ella Frears

Jonah Assembles His Notes On The Congress of Vienna of 1815 

i.

Disappointment is a curiously English word. Density obscures meaning : by or in presents as innocuous choice ; the diet of the body, the stomach of a Confederation, our desire for sweet mess and undesirable elements ; cold, unstuck bowels, up to our necks in frustration. 

ii. 

We place words besides ourselves to enjoy sifting sweet mess from what is read as unwanted directed by who? to pick at sections of peristaltic tract. Freud ever hovers over our table. This violence of language, this exchange of diverse interests, falls inverse to the language of violence. 

iii.

Did I tell you… Five years ago. I experienced Malden Road in Chalk Farm, London as a Rose. Was I by this contusion or in it, I could not reliably say, except for pavement slabs, recessed concrete benches under a housing block, the yellow halogen bannersign over the entrance to the Mamara twenty-four hour supermarket, and advancing cubes of blue moontime air indistinguishable from both each other and from a two hundred mile cyclone of pink-edged petals which I attempted to walk, somewhat uncertainly, from The Fiddler’s Elbow to my car. Not that I had been drinking, no ; no alcohol was either by or in me, except, had I been sixteen feet closer to Mamara’s door at that moment these facts could easily although subtly have changed.   

iv. 

Bodies preserve themselves through prolonged and incremental measures until they expel what they have no use for. But is Sigmund by us, as a scent of accompaniment, beside, alongside, with, retrojectively summoned against rejection ; or, in, wafted through air, an inflection, or incursion, introjected viral load of brain, an assimilated infestation, of bearded odd little man? 

v. 

In English professional circles, Disappointed is often used in an unconscious extension of its etymology from the frustration of expectations to mean a synonym of I will respond with unaccountable cruelty by deniable neglect. If you ask me how I know this, I will distract you with a lie.   

vi. 

And so, in the body of Europe, manufactured on and in-between the tables of Vienna in 1815. A messy trade-off to eliminate common rules : basic permissions set back by generations. Limited respect for Freud’s antecedents’ future rights in the fresh thirty-six state Confederation bargained and revised away to those already chosen by each nation. If you ask me how I know this, I will tell you uncomfortable facts about legislative power and the landscapes of tiny words. 

vii. 

Disappointing, a derivation of the Middle French disappointer, has that strangely English construction.

viii.

Bodies of law live no differently to any other being. 

ix.

Whether, in their cold moments, the inhabitants of such small lands are beside themselves or fully alive in themselves : who can you reliably tell.

 

first published in Ambit #248, The War Issue     Bo

it is spoken, it says 

after a while the pages compact

did you learn how to swim in the sea as a child  one push  one bite 

one mouthful of salt at a time  a repeated story turned into splinters

the blood between your teeth runs on for so long  in the end  what matters

this chair  this leg  your hand  maybe but not our heads this morning where there is both 

everything and too little to say  could you hold a thought for long enough for

one bite: to suck the jelly out of bones  let the birds run free of the shell 

to swim in sticky voices or cut the marrow skin: what matters

is this freedom to bathe inside half-closed books  of milk of eggs of bone 

away from the outrage of bones breaking in the sea or

for what are our bones broken 

for who  is the breaking done

for the splintered ribs  and the image

which is a sea of blood  of rivers of blood  of blood striped faces

propped up in the sea  what matters  is one push away from whatever platitude

you will use to sleep tonight  which is whatever the sea demands: one bite  one push 

towards land  a compact fantasy well  make us strong enough

to resist the sea  to cut the skin  still breathing  and swallow

 

first published in Ambit #248, The War Issue

 

this morning i need to listen to mc5

 

& Sun Ra   free jazz   Starship machine guns   cool 

 

feedback beyond the planets   a recurring daydream

of drifting across a freeport unrestrained & only my luggage

 

gets lost   i need more than five seconds   more

time to choose which problem   cardiac arrest 

 

killed Smith & Tyner at the end   what solution was 

that Coltrane’s India   coming together   between the nodes 

 

a shower might unsettle this exhaustion free  Rama Lama why   

can’t i be a man for you   baby   Rama Lama   why this space

 

so cold   why  aurora black coffee

 

why   bitter at the back of my tongue

 

commended in The Troubadour International Poetry Competition, 2018 

 

Other POems 

Osmosis Press: Indeterminate Architecture 1

Ghost Furniture Catalogue: Indeterminate Architecture 2,3 & 4

Anthropocene: Jonah Reads The Moonlight 

Burning House Press: Three Poems 

Sublunary Editions: Five Poems 

Tentacular: Four Poems 

 

 

 

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